Coveted by designers, customers, and competitors all over the world. Roach used this money and notoriety to build one the most influential graphics business in the apparel industry. In 1978 roach had grown to 20 Million plus dollars in gross sales and had a customer list of thousands of T-shirt shops all over the world. These shops were high margin apparel stores with cool built in.įrom 1970-1980 these stores were on fire and so was Roach. A just in time manufacturing process that allowed a T-shirt shop to offer hundreds of designs and a good selection of apparel styles and colors. Thousands of T-shirt shops started up in the 70’s because of what Roach and their competitors had begun in the late 60’s. Roth’s mistakes opened the doors for Roach. He mae some questionable deals with the likes of the Hells Angels and was alienating his principle backers (Revel Models). Roth struggled with his business due to the fact that he was spread thin between custom cars, apparel, and car show appearances. These were the guys that did the rock concert posters, album covers, counter culture comics like ZAP, and the T-shirts that help define the 60’s and 70’s graphically. His friends included artist like Robert Crumb, Robert Williams, Rick Griffin, Stanley Mouse, David Mann, and others. He came from the art underground in California. He designed some of Roth’s cars and did most of the artwork that was turned into T-shirts.Įd Newton was critical to the early success of Roach. Ed was the principle artist at Roth Studios. John Baird and Stan Peterson took over the company and recruited renowned artist Ed Newton. The company was starting to roll.īetween 19 Roach grew and took on new ownership. Stan moved from San Diego in 1966 and took over art and production. The transfer made just in time production possible for the mail order T-shirt business. They could carry a large graphics library and low inventory. The iron on transfer was a new technology and was just what the young Roach Studios needed to out-compete the other companies. He was getting into a new process, the iron on transfer, at the same time. Stan had been air brushing shirts and doing silk screen work. They needed help to grow the business and recruited Stan Peterson from California. Roach could be seen in the back of Hot Rod and Car Craft Magazine. Just like their hero’s from Cali, Ed Roth, Stanley Mouse, & Von Dutch, they set out to make money and have adventure working the drag races, car shows, and state fairs of the USA.Īfter a couple of years in the trenches, the Roush brothers ventured into the mail order business and started competing with the west coast vendors like Rat Fink. In those days, airbrush painting shirts was the most accessible way to start. The fire was started and Dennis and Russ began to get into the T-shirt business. The fact that you could get a T-shirt with one of those images was even better. The images coming from the west coast that appeared in Hot Rod Magazine and Zap comics were exciting and fresh. The brothers Roush were big fans of the California car scene. In 1962 Russ & Dennis Roush started what would become one of the largest and most influential apparel graphics companies of the 60’s and 70’s. RoAcH Studios: Short History of the king of the “Iron On” T-shirt
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A number of new features, improvements, and bug fixes have been added in this major release of PDF-XChange products. Workshare is integrated with all major versions of Microsoft Office in use today, including Office XP, Office 2003 and now the 2007 Microsoft Office system.The new version 9 of the PDF-XChange product family is now available. Workshare Professional is built to work in customer's current and future environment and infrastructures. Metadata links allow document management systems users to track matters across documents when sent for review from and to anywhere, all while maintaining a full audit trail of review and sharing activities.įull Collaboration and Repository Integration The new One-to-Many comparison shows multiple document comparisons across different versions inside an easy to navigate tabbed view.Ĭomparison options now include standard DeltaView output, DeltaViews in Secured PDFs and editable Track Change redline options. 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His blog is probably not for everybody, but he remains one of the most influential voices in crossword reviewing today. Rex Parker’s blog can be more critical of Times puzzles - as we’ve said before, he borders on the curmudgeonly - but he has terrific advice about grid construction, theme entries, and more that several constructors have told me proved to be invaluable in their early days learning to construct. People occasionally accuse XWord Info of being too favorable to the puzzles/constructors, but I think they call it right down the middle, and there have been times where reviewers and constructors leveled stern criticism at a puzzle’s editorial process OR how it was discussed on XWord Info itself. XWord Info is my go-to for details on construction and a fair, informative review. Wordplay is the official New York Times crossword blog, and not only do you get great analysis from knowledgeable minds, but you get live solve-alongs, insight from constructors, and more. So today, I want to discuss some top-notch blogs that discuss and review the daily crosswords!įor the New York Times crossword alone, there’s Wordplay, XWord Info, and Rex Parker. Well, to be honest, there are already several crossword blogs doing a dynamite job of covering those. After all, we try to cover all things puzzles and games here - great clues, trivia, brain teasers, puzzles in pop culture, interviews, game reviews, how to’s, puzzle history, the Crossword Mysteries - so why not the top crossword outlets? Playing sudoku daily can boost your concentration, ease depression and even prevent Alzheimer's disease.Occasionally, we’ll get a message from a PuzzleNationer who wonders why we don’t review the daily New York Times crossword or some of the other prominent daily newspaper crosswords. Can you imagine that there are 5,472,730,538 possible sudoku puzzles? The Times in London helped spread Sudoku to Western culture by publishing its first daily sudoku in 2004. 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J Blakeson: We shot all of the America stuff first. Shows are rarely filmed in chronological order anyway, but how did Nathan, in particular, handle jumping back and forth in time? He’s playing a character with different intentions at these different points. So you have all these little moments to increase tension throughout the whole show, which if we just told it in a linear way, it would just be a jump cut to the next bit, rather than having this, "Tell me what's going to happen next!" when we jump back in time or jump forward in time. You can jump to the past, and you can either embellish the present, or you can continue the story of the backstory, and then leave that in a cliffhanger or a jump. It's quite nice to take a story to a certain point, and then leave it on a bit of a cliffhanger. So then when you show him before, and you see the person he used to be where he's quite violent, and he's breaking the law, I think you kind of feel, "Oh, but I liked him." Hopefully, you ask a lot of questions of, like, "How did he get there? What was he doing?" So you start filling in the blanks in your own head as a viewer.įor a creator, that's really powerful, because I can steer you the wrong way, or I can tease you, or sometimes I can make you guess right, and that feels nice, or guess wrong, and that feels clever, so it gives a lot of ammunition to amp up the mystery. He's a nice guy, he's got a nice thing going on with his fiancé, he's very caring towards his kids, he's very empathetic, and he's got hopes and dreams that you can really identify with. You introduce this guy, and you like him. When I first started imagining the pilot, it was the idea of having as many mysteries as possible for the viewer. J Blakeson: That's just the way I imagined it, I guess. Why did you feel it was the right creative decision to go that route? They do sort of reference the things that they've done but the jumping around and the story of them being killed and all coming back together, that's something that we invented for the show. They just talk about what they're doing now. They all take a character and talk about that character individually, and they don't really intersect at all. J Blakeson: The book is short stories written by different writers, so each one of them is very different. In the show, you go back and forth between “before” and “after.” Are the time jumps also unique to the series? But it's a very, very free adaptation of the source material. People are paranoid and worried about the past catching up with them, which is one of the things I was really interested in. Obviously, those moral questions are sometimes similar. I made up the version I was most interested in doing and followed the questions and moral questions that I was interested in doing. The basic skeleton is the same, it's just that I took it in a very different way. You do meet them all in their new lives, and they are all are connected by this robbery that they did. I wrote a pilot, and then we took it around, and Disney picked it up, and then we started to do the rest, and we're off to the races.ĭo the show and the book share any characters or stories or are they mostly separate from one another? It's only really the main concept of the book that we were using, and Stephen loved it. So I started spinning ideas very quickly, and I started talking to Stephen about those ideas which were very different from the book. I started thinking about what I would choose and started asking people what they would choose. I started spinning ideas very quickly off this central notion of, "What if a group of people had done a bad thing a couple of years ago? And now they find themselves with a big bag of money, and they can go anywhere in the world and be whoever they want? What would they choose?" He sent me an overview, and just from that two-pager, there was something about it I found really interesting. That book is an anthology of short stories. He sent me that book about six years ago to read. J Blakeson: This all came together because Stephen Garrett, the executive producer of the show, bought the rights to a book called Culprits. Screen Rant: How did you end up getting involved in Culprits? Did someone bring this to you or was this an idea that you already had in mind? The company has revealed a number of forthcoming 32nd century Federation starship models from the third season of DIS for the new partwork, which superseded this line. pursuant the institution of the Star Trek franchise's " Star Trek Universe" all-under-one-roof franchise umbrella concept at the start of the year. It was subsequently named the Star Trek Universe: The Official Starships Collection which debuted in March 2021. In October 2020, Eaglemoss further reported that it had plans to release more starship models from DIS in a future starships line, combined with ships from Star Trek: Picard and Star Trek: Strange New Worlds. In July 2020, the company announced that this product line (and subscriptions) would be suspended after the release of (numbered) issue 33, due to production delays with the third season of the show and the resulting lack of new CG assets. Transition to the Star Trek Universe: The Official Starships Collection Īlso incorporating some of this material, the Star Trek: Discovery Designing Starships volume of the Designing Starships book series features every starship from Discovery's first season and was published in September 2019. Some of the magazine content was published by Eaglemoss under the Hero Collector imprint, and was distributed by Penguin Random House in two hardcover mass-market reference books from the Star Trek: Shipyards series, within the Starfleet Ships 2151-2293 and The Klingon Fleet volumes. Production stills, concept art, and newly-created orthographic views are utilized extensively, and new interviews with DIS starship designers including William Budge, Goran Delic, Ryan Dening, JD Dickenson, John Eaves, Sam Michlap, Thomas Pringle, and Scott Schneider were conducted. The magazines are co-authored and co-edited by Ben Robinson, Marcus Riley, and Matt McAllister. Two-dimensional renders of the ships are frequently used for the publication's illustrations by its editors in the UK, and each sixteen-page A5 format magazine (measuring 168 × 217 mm, half the size of those of the preceding Official Starships Collection) fits within the printed cardboard boxes that the models are presented in. Īt the Holinail Group, Eaglemoss' manufacturing partner in China, these files are converted into the CAD format used by the factory and tooling masters are created. Passaro then converts these 3D models into CAD files. Robinson and Ainsworth have their longtime Official Starships Collection associate Fabio Passaro convert these models into LightWave 3D, Eaglemoss' software package of choice, as the production-used models are created in Autodesk Maya and must be re-texturized, rescaled, and modified for 3D printing. Gift premiums have also been released to subscribers.īen Robinson, the project's senior manager, and his team, under the supervision of John Ainsworth, utilize the original CGI studio models provided by Pixomondo for reference, once they have been approved by CBS Studios and Secret Hideout, the show's primary production companies, and the VFX team. Cast in ABS and die-cast metal, a number of starship designs have been reproduced here (as miniatures) for the first time by any manufacturer.Īvailable separately, larger Special Edition starship models, metallic resin dedication plaques, dedicated magazine binders, and a figurine have been produced. Įach standard issue includes a (roughly) six to ten inch-long (150 to 240 mm-long) hand-painted scaled replica of a starship from the Star Trek: Discovery series. Products are available through subscription (where applicable ), through the company's international webshops, and from many other retailers, including Diamond Comic Distributors, Anovos, and ThinkGeek/GameStop. Star Trek: Discovery The Official Starships Collection is a monthly British partwork magazine and product line that premiered on 31 January 2018 and is published by Eaglemoss Collections under its Hero Collector imprint.Ī sister publication of the Star Trek: The Official Starships Collection, Build The USS Enterprise NCC-1701-D, and Star Trek Online Starships Collection partworks, it is authorized and licensed by CBS Consumer Products, debuted simultaneously in the US and the UK, and is marketed to a number of countries worldwide. 16 Starship models re-scaled to in-universe dimensions If you’re planning on using this tip, you may want to use a tiered container or perhaps several smaller baking dishes to fit easily in your fridge. Cool Them Quick – Once you’ve laid the crockpot peanut clusters onto the baking sheets lined with parchment or wax paper, pop them in the fridge to help them chill faster.There are plenty of pairs for chocolate: pretzel pieces, pumpkin seeds, candy cane chunks, or graham crackers. Allergy Friendly Fixes – You don’t need nuts for texture!.If you’re nuts for nuts, you could even add more crushed peanuts on top to finish! (Optional) Garnishes – Crushed candy cane, mini marshmallows, holiday sprinkles, toffee bits – there’s almost no end to the holiday toppers you could use!.German Chocolate Bar – Baker’s is my go-to! This is also a rather sweet chocolate, so you may want to substitute with a richer option if that’s your preference.Feel free to also mix and match to get a good balance! Semi-sweet Chocolate Chips – Using milk chocolate chips would be a tad too sweet, in my opinion, but you’re welcome to! You can use half semi-sweet and half peanut butter chips.ĭark chocolate chips could also add a nice bitterness.You could even use candy melts.īut, as I always say, the more chocolate the better! So use chocolate almond bark if you’d like. But you could certainly use white chocolate chips. White Almond Bark – I recommend using vanilla for its sweet, subtle flavor.Or try stirring in some pretzels or rice krispies. Other nuts are great, too – almonds, walnuts, cashews, and macadamia nuts are some sweet subs your family will love. You can certainly use unsalted peanuts, I feel like the honey roasted really make this homemade candy special! Peanuts – Honey roasted are my preference, but you’re not limited to just those!.Ingredient Notes & Swaps for Chocolate Peanut Clusters We enjoy taking time together to bake treats and these take so much less time that most other holiday baking. It is such an easy candy to make this time of year with all the gifting and holiday parties. This easy crockpot candy is a must have on your holiday cookie trays. The secret to homemade Christmas candy? Make a whole lot of it!! Saltine cracker candy and fudge are super shareable and could put a smile on even the Grinch’s face! This sweet treat is full of just wholesome, delicious flavors that you can share with your loved ones during the most wonderful time of the year! Sometimes the best sweets are the simplest, and does it get more classic than chocolate and peanuts? My crockpot candy recipe is no fuss with no funny business. I’m not exaggerating here - watch the video in this post to see just how mouthwatering this easy recipe is!! Crockpot Candy If the I/O menu still shows the USB BUFFER SIZE parameter, check the installed USB firmware version in the Utilities menu. This has been removed in current firmware. With older firmware, the size of the USB buffer was adjustable in the I/O menu. Mac computers do not require a driver, because the units are 'class compliant'. The driver can be downloaded from the product pages on Fractal Audio's website. Windows computers require installing a software driver for USB Audio and MIDI-over-USB on the Axe-Fx III and FM9. Install the USB firmware with Fractal-Bot. The current USB firmware can be downloaded from the product pages on Fractal Audio's website. The Utilities menu on the hardware shows the installed version. That is handled by separate USB firmware which doesn't need regular updates. The main firmware for the Axe-Fx III and FM9 does not cover USB communications. (about support for MIDI Thru over USB in the Axe-Fx III) "That would be what we'd call "USB adapter Mode" and it is not a feature of our current generation of products at this time." USB firmware This includes MIDI commands and USB Audio. This lets apps such as BandHelper and Set List Maker communicate with the device without requiring an additional MIDI-to-USB interface (which the Axe-Fx II requires). Use a USB-A to USB-B cable, or a wireless MIDI adapter, or Apple's Lightning-to-USB Camera Adapter. You can connect the Axe-Fx III and FM9 directly to an iOS device (iPhone, iPad). "Axe-Fx III and FM9 have a separate USB microcontroller that handles USB, among other tasks." "Still USB-over-MIDI but at least 10x faster." It is the computer's responsibility for any USB3 ports to be backwards compatible with USB2." "The FM9 has the same USB audio interface as the Axe-Fx III (same chip). Therefore, it's recommended to wait a little after powering on before launching the editor. It doesn't depend on the main DSP(s), but it does need some time to settle down. The USB subsystem boots instantly on power on. The USB 2.0 protocol is used to connect the device to a computer and to run software (data transfers and MIDI-over-USB). The USB port is a so-called USB peripheral, not a USB host. The Axe-Fx III and FM9 have a dedicated 16-core, 500 MHz USB microcontroller. And it used for mass storage, as in a USB thumb drive. USB Audio: More specifically, it handles USB Audio, which is audio data through multiple channels. It's a physical connection between devices, used to transmit digital data, such as transferring presets to/from a computer, running the software editor, and transmitting MIDI-over-USB. A USB cable connection (Universal Serial Bus) does several things. They are suitable for a wide range of costumes and characters, making them the perfect addition to your cosplay or Halloween outfit. One of the best things about the Halloween White Out Crazy Lens is that they are incredibly versatile. They are also incredibly easy to use, so you can quickly and easily transform your look in no time at all. With their unique and striking appearance, they are sure to turn heads and make you stand out from the crowd. 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And what was so exciting about it was I had loved for the 49ers and the system and the history of how they had put it together, all of that. In Week 13, the Buccaneers welcome the Carolina Panthers to Raymond James Stadium for a 1:00 p.m. So anyway, he was kind of by himself, he had a little office in the back corner, so I just started going in and hanging out and he let me come in and nobody else was coming by, so we developed a really great relationship. I didn't know anything, I grew up a Niners fan and loved all their success, but I hadn't been overwhelmed by him in the coaching process. They were scared to death of him, everybody was afraid they would say the wrong thing. Harold Goodwin enters his fifth season with the Buccaneers in 2023 as assistant head coach and run game. "They hired him back I think after the Stanford days, he came into the building, and no one wanted to talk to him. The Tampa Bay Buccaneers have hired Dave Canales as their offensive coordinator in 2023. "When he came back to be an advisor," said Carroll. |
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